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Who wouldn't want to use the IS mechanism they've paid for to squeeze a bit more resolution our of their camera? People like Richard Butler, who question the effort/reward balance they offer. Popular photo sharing service Photobucket recently revealed that the 13 billion images it hosts online could be used to train AI models.
Blackmagic Design announces Pyxis modular full-frame video camera
The ProRes files work flawlessly in Apple Final Cut Pro, while CinemaDNG sequences are natively supported in Adobe Premiere Pro, so you’re not forced to use Blackmagic software if you prefer not to. This gives you a huge choice of compatible lenses, and by using a sensor with a native 4K resolution, whichever optic you fit, crop factor will be negligible. The same can't be said for a stills camera like the Canon 5D IV.
Videomaker Lab Tests
@Samuel, I believe BM are producing a viewfinder for this camera, that does indicate shoulder mounting is a good possibility. I think with a suitable plate for a shoulder pad, battery power on the back and viefinder, this camera would have good balance on the shoulder. @dmanthree there is also a growing amount of L-Mount cinema lenses, as many camera makers move to mirrorless mounts (RED uses RF, Sony their E-Mount).
Video quality
You can say it would increase the cost, but I'm sure that a hinge would increase the price less than buying an extenal monitor. Blackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so their media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. The 5-inch touchscreen has a great viewing angle, and that’s a good thing because the monitor does not move.
The Nexus G1– A Box Camera Mod Using The Blackmagic Design Pocket 6K G1 - Newsshooter
The Nexus G1– A Box Camera Mod Using The Blackmagic Design Pocket 6K G1.
Posted: Sat, 06 Jan 2024 08:00:00 GMT [source]
That’s some serious data creation, working out to over 16 gigabytes per minute. At that data rate, a 64GB card will capture just 4 minutes of video. Looking at the list of supported media, 4 minutes of capture will cost a minimum of $120 for an SDXC card or $155 for a Cfast 2.0 card.
What’s also interesting is that the manual electronic focus on MFT lenses requires a very long turn of the focus ring by contrast to, for example, the GH5. It can feel inconsistent and potentially hamper you from getting that pan-focus you want, especially if you’re winging it without any supporting accessories. If you want to film plugged in, you’ll need to go for a DC connector that plugs into the lockable 2-pin port.
So, without being an apologist for its flaws, they are overshadowed by more pros than we would ever have expected from a $1,295 / £1,034 pro-grade film camera. Using Canon LP-E6 batteries, it shouldn’t be too costly to pick up a few extra for shoots - and boy will you need them. The quoted 50-minutes of battery life out of a single charge was very optimistic, with real world results closer to mins. This time round, there’s more bang, less buck and a generation of eager YouTubers and video enthusiasts looking for a premium, yet value-centric 4K option, and this could be just the ticket. All these specs make the Blackmagic one of the best video cameras you can buy.
Blackmagic Design Announces New Blackmagic PYXIS 6K
With a Micro Four Thirds sensor and lens mount, dual native ISO and a hardware/software combination you would expect to see in a £2,000+ movie camera, the Blackmagic Pocket Cinema Camera 4K looks versatile and capable. When you consider its asking price of £1,134/$1,300 – significantly less than the Panasonic GH5S – for video, it makes a lot of sense. Although it can’t capture 10-bit internally, it can output it to an external recorder.
Moving on to testing rolling shutter, we panned the Pocket Cinema Camera 4K back and forth to see if vertical lines started to bend. The camera does have a rolling shutter, so we expected to see a bit of jello, but there wasn’t much of any. The menu is operated by touch, although there are buttons for the things you use the most often, like ISO and shutter speed. We shot with three lenses during the review, all three from the Olympus M.Zuiko Digital ED line.
The lack of ND filter also means if you need to flit between shooting indoors and outdoors at a moment’s notice regularly, you will still be better served with something like a Cinema EOS C100. Default colour from the Pocket Cinema 4K compares favourably to the much more expensive Canon C300. Weighing 722g and sporting a retro, 90s aesthetic, the Pocket Cinema Camera 4K is decent feeling bit of kit. Ditching the weather-sealed magnesium alloy of some more premium cameras has kept the weight manageable, though it still packs enough heft to deliver good weighting when steadied in two hands. The Pocket Cinema Camera lineup received a solid reception when it launched, although the sacrifices made in terms of ports and battery life always held the series back.
When uploading to Blackmagic Cloud, customers can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Customers can also connect via wired Ethernet using the camera’s Ethernet port. This lets customers get their media out as customers shoot so post production teams anywhere in the world can start work in real time.
It takes a different approach to the best 4K cameras out there right now, so let's take a closer look. Additionally, there’s no ND filter in the body as found on the likes of the significantly pricier Canon EOS R and C100. This is a big deal for video, owing to the restrictions around manipulating shutter speed, so old school ND filters or a quick swap adaptor for your favourite lenses will be the way to go if you shoot outdoors often. This definitely feels like the biggest omission here, as with a flip out screen, the Pocket Cinema Camera 4K would have been the ultimate advanced YouTube camera. Even for traditional videographers, when hand-holding the camera, there’s a conflict between being able to see the screen and securing the steadiest shooting position possible. This bulbous camera looks playful and, truth be told, a touch dated, but the combi-polycarbonate/fibreglass body feels well weighted and solid in the hand.
There’s also no shoe mount on top, replaced instead with a screw thread for connecting a camera cage or mounting plate. Oddly, the bottom tripod mount is a sole 1/4-inch socket, missing the extra pin often found on video cameras. This is, then, a camera you will certainly want to accessorize to get the most out of it. It's a pity Blackmagic hasn’t included continuous autofocus, so Canon is still winning this battle.
The studio test scene is recorded in 4K resolution on all the test cameras, with a still frame extracted for visual comparison. The frame the Pocket Cinema 4K's footage has slightly more muted colours and subdued contrast, but this lends itself well to colour and contrast enhancement in post production. The grip is ribbed and has a secure tactility, with a new improved dual microphone set-up to the right of it. There’s also a front-mounted record button and an LED light as well. The Pocket Cinema Camera 4K has a standard tripod thread mount at the base with an additional mount where the hot shoe might be on a stills camera, perfect for an external monitor or LED light.
Another thing to note is that the camera will try to capture to any media you put in it. Using slower-than-recommended media can lead to dropped frames, but on the other hand, older and more affordable media can be used at settings with lower data rates. Nothing else does what this camera does anywhere near this price point, so no.
Add in its abysmal battery life, and you have a camera that’s more difficult to operate that you would expect. You do get a full-size HDMI-out port, so connecting an external EVF or monitor is easy. You will, however, benefit from a basic understanding of cinema camera terminology, such as knowing the difference between shutter angle and shutter speed. Really, though, there’s nothing overly complex going on here — Blackmagic Design has taken what seems to confound other manufacturers and turned it into something elegant and approachable. Yes, this is a professional tool, but it would also be incredibly easy for a beginner to learn on — other camera companies would greatly benefit by studying this interface.
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